Koppel, Jonathan - Tenor

Nannetta and her lover Fenton, whom her father condemns, are actually minor participants in the plot, but they were sung as if they were the main roles. Sofie Lund and Jonathan Koppel both performed attractively well and seduced with their voices. The soprano with a brilliance in the high tessitura and he with a beautiful and powerful lyric tenor; especially impressing was Koppels third act aria, where he poured out exclamations of love, which Boito borrowed from Boccaccios short story collection, Dekameron.

- Valdemar Lønsted, Information