Dido & Aeneas, Opera på Österbybruk, 2023
Mathilda Bryngelsson in the title role has a gentle and warm voice.
- Tidskriften Opera
Hänsel und Gretel, Schloss Rheinsberg, 2021
Die Schwedin Mathilda Bryngelsson lässt als überforderte Mutter ihren Mezzosopran durchaus schon mal die Luft schneiden.
- Märkische Allgemeine
Jury motivation for 1st place in the singing competition OVIS-Rösten, 2021
Mathilda Bryngelsson is a beautifully sounding and expressive mezzo-soprano. The two different arias from Werther and Titus were performed with both excellent technique and an artistically convincing performance.
Concert in Giresta Kyrka, 2019
Mathilda Bryngelsson showed a full, well-modulated voice.
- Uppsala Nya Tidning
Orlando, Kungliga Operan, Confidencen, 2019
Mathilda Bryngelsson’s injured warrior Medoro, on the other hand, portrays the existential loneliness of the survivor.
- Expressen
Prince Igor, Russian Opera Workshop, 2018
For Thursday evening's show, […] the sensational Swedish mezzo discovery of the session, Mathilda Bryngelsson, whose voice reminds me of the young Kerstin Meyer, performs Konchakovna. Since Angela Mead’s Master Class, I've been having recurrent dreams about Mathilda channeling vocal intensity into Charlotte, Ratmir, Vanya, Lyubasha, Komponist, Orfeo...
- Lew's Opera Views and Experiences In Tempo
