Lisbon Floor, Copenhagen Opera Festival
…Strongly cast is also the soprano Frederikke Kampmann as the Landlord…
- Thomas Michelsen, Politiken
Aalborg Opera Award 2022, Aalborg Opera festival
Director of the Aalborg Opera Festival Peter Rønn elaborates the choice of Frederikke Kampmann as the winner of the Aalborg Opera Award: “Frederikke Kampmann is not only a singer with a shining bright soprano, which she controls with sublime technique; when we experience her on stage, we are taken aback by her impeccable stage presence that makes her the natural center point of all attention - regardless of the role or genre she is portraying”.
- iScene
Humperdinck’s Hänsel and Gretel, Copenhagen Phil, 2018
Frederikke Kampmann sang a firm but reassuring Sandman and a fresh Dew Fairy.
- Magasinet Klassisk, 01.09.2018, Andrew Mellor
Händel’s Oreste, Wiener Kammeroper, 2017
True love intervenes in the form of Frederikke Kampmann's Ermione, who arrives out of the orchestra/ocean like a female James Bond figure, in a lipstick-red vinyl diving suit. Her verve and determination are clear. Kampmann carried off a full costume change into her disguise while meeting the demands of Io sperai di veder il tuo volto.
- Bachtrach, Katherine Syer
La Traviata Remixed, Wiener Kammeroper, 2016
The star this evening was undoubtedly Frederikke Kampmann as Violetta Valery. With her effortless high notes and her expressive acting, she knew how to excite the members of the audience on the opening night.
- Sebastian Kranner, Der Neue Merker
Above all Frederikke Kampmann established herself as an intensive Violetta. The Dane mastered the difficult role with her bright soprano completely.
- Stefan Ender, Der Standard
Opera Talent of the Year Award, Copenhagen Opera Festival, 2013
And how she deserves the prize of YOUNG OPERA TALENT OF THE YEAR. She presented herself with Händel and I do understand the musicians who applauded her after the two arias from The Messiah. The voice has exciting, distinguishly focused qualities, and with one aria to demonstrate a completely smooth legato and another to show off her coloraturas, the arias were an intense experience. In addition the 28 year-old singer sang ‘Piangeró’ from Giulio Cesare, including the recitative, which displayed many qualities but which perhaps lacked the final maturity. The voice’s intensity in sound and dark colouring was fascinating, and the aria ‘Lascia ch’io pianga’ from Rinaldo was beautifully offered as an encore, underlining the qualities in this young soprano.
- Thomas Michelsen in Politiken
